I am closing in on the final revision of Book 1 of my upcoming middle-grade epic fantasy titled Dark Circles. It’s almost finished, but since my cover is still in the revision process, I continue to tinker with the content.
Why not, right?
The annoying thing is every time I revise, I find myself making more changes. I believe some writers could revise a single novel for 10 years and still find things they wouldn’t like.
During my latest revision, I decided to check in on a few of my favorite words. And I don’t mean good favorite words. I mean the bad ones—the words that don’t need to be there, at least not in significant numbers.
You see, writers are like athletes. Most of the time, they write by instinct, letting the words flow. Writers are able to do this because they’ve spent most of their lives writing and therefore their instincts are good.
Most (some) of the time.
I started out with one of my favorite words: eventually. My lead character Charlie would eventually work up the courage or eventually cross the creek or eventually …
I found 37 uses of eventually. I deleted 32 of them. I was off to a good start.
Then I took on the word really, which is a really useless word, in the same league as very. I found 44 (!) really’s. Good god. I got rid of 39 of them. (At least, I only found 4 very’s, and they were all within dialogue.)
Now I was on a roll. An extremely time-consuming and annoying roll, but a roll nonetheless.
I weeded out absolutely, totally, realize, wonder, felt, feel, honestly, rather, always, never, literally, just. By the end of it, my fingers were sore. I should have worn gloves.
And there was more. I overused that, then, stuff, things, went, and even the usually harmless word up. As in, Charlie stood, not Charlie stood up.
What’s the point of all this? I return to my athlete analogy. Golfers, for instance, can develop bad habits and not even know it, so they periodically take lessons to weed them out. Writers should do the same.
I’m not saying that writers who avoid these “bad” words are great and everyone else is terrible. Weeding them out is only one aspect of good writing. But it’s a relatively important one.
I guess I should be glad that my cover isn’t ready yet. Otherwise, my novel might have been full of weeds.
Hi Nathan! This is a great point. It also works in dialogue. I'm not one of those who is dead-set against them, that's for sure. But I do find that it cleans up and simplifies narrative writing when you remove most of them.
Good article!
One exception that makes these words helpful: they provide syllables or sounds to fill out a sentence or paragraph that wouldn't sound quite right otherwise. More applicable to poetry, but it can apply to prose as well
Eg, a messy improvised example
the really slippery snake slid up above the salad Tongs and stuck its tongue into the very tasty sugar cake, and honestly, though giggling, I told nobody what it did, that blessed thing, which totally just slipped away
Vs
the slippery snake slid above the salad Tongs and stuck its tongue into the tasty sugar cake, and, though giggling, I told nobody what it did, that blessed snake, which just slipped away